Over 19 years of extensive visual effects experience.


Proven creative influence, leadership, and problem-solving capabilities in all areas of production. 


Accrued an extensive knowledge of 2D, 3D and Stereoscopic compositing, paint and rotoscoping. 


An experienced on-set Visual Effects Supervisor having worked with a diverse assortment of

Directors and clients.


Adept at comprehensive script breakdowns, budgeting and scheduling of all VFX requirements.



VISUAL EFFECTS EXPERIENCE -


DIGITAL DOMAIN                                                                                       Venice, CA

Compositing Supervisor / lead compositor                           2003 - 2005 / 2007 / Present


  1. •  Over a 9 month period (that ended in July) at Digital Domain Vancouver, BC I was promoted

    from Compositing Supervisor to Digital Effects Supervisor on Bryan Singer’s

    ‘Jack the Giant Killer’.


  1. •  Completed numerous complex 2D and Stereoscopic shots for ‘Thor’ and Transformers 3’.


  1. •  Completed a series of complex shots for the “Death Of Beckett” sequence in ‘Pirates of

    The Caribbean: Dead Man’s Chest’.

    Subsequently nominated for a VES award in the  category of Outstanding Compositing in

    a Motion Picture.


  1. •  Sequence Lead on ‘I Robot’ included look development of the hero “Sonny” Robot,

    ancillary Robots and BG environments for 100+ shots between four major sequences.




FURIOUS FX                                                                                           Burbank, CA

Visual Effects Supervisor                                                                           2005 - 2010


  1. •   Oversaw Production and Post-Production VFX Supervision for ‘Get the Gringo’,

     ‘No Ordinary Family’, ‘The Blind Side’ and ‘The Spirit’.

       

  1. •   Responsibilities include supervising 2D and 3D artists, concept artwork, storyboards,     

      matte painting, texture painting, 2D and stereoscopic compositing, nuke pipeline setup and

      on-set VFX Supervision.




CINESITE DIGITAL FILM CENTER                                                     Hollywood, CA

Visual Effects Supervisor                                                                           1993 - 2003


  1. •   Served as production visual effects supervisor on ‘Envy’ in 2003 for Director Barry Levinson.


  1. •   Served as production Visual Effects Supervisor on ‘Rush Hour 2‘ for Director Brett Ratner

     and on ‘Windtalkers’ for director John Woo.


  1. •   Assisted 1st & 2nd unit VFX Plate Photography for ‘X-Men’ in Toronto, Canada in 2000.


  1. •   Promoted to Digital Effects Supervisor for ‘The Truman Show’ in 1997. 


  1. •   Served as Lead Compositor at Cinesite, London for ‘Lost in Space’.


  1. •   Supervised 2nd unit miniature and live action greenscreen elements for several sequences in

     ‘Armageddon’ as Composite Supervisor.


  1. •   Promoted to Digital Paint Supervisor in 1994.  Supervised over 15 artists and worked on

      over 20 films.  Also responsible for assigned paint and compositing shots.





SYSTEM HARDWARE AND SOFTWARE KNOWLEDGE -


  1. •   Expert Nuke, Shake, and After Effects compositor.


  1. •   Skilled Traditional Graphic/Concept and Digital Artist.


  1. •   Also Proficient with Flame, Combustion, Motion, Silhouette, PFTrack, and Final Cut Pro.



lingenfelser@mac.com


818 . 370 . 0950